A Swedish court released six climate cultists with the group Aterstall Vatmarker (Restore Wetlands) today. The vandals participated in smearing red paint on the protective glass covering a Monet painting two years ago. The judge ruled that the cultists had no intention of damaging the artwork itself.

The two women dipped their hands in red paint and then glued them to the glass protecting Claude Monet’s 1900 Impressionist masterpiece The Artist’s Garden at Giverny, which is exhibited at the National Museum in Stockholm.

At the time, the group posted a video on Facebook showing the two women—one a nurse and the other a nursing student—smearing the red paint and then gluing their hands to the protective glass.

Claude Monet’s 1900 painting The Artist’s Garden at Giverny has become the most recent museum piece attacked by environmental protesters aiming to highlight the issue of climate change.

In October of 2023, members of the UK-based organization Just Stop Oil hurled tomato soup onto Vincent van Gogh’s Sunflowers at the National Gallery in London.

Additionally, activists from Just Stop Oil attached themselves with glue to the frame of a historical reproduction of Leonardo da Vinci’s The Last Supper at the Royal Academy of Arts in London, as well as to John Constable’s The Hay Wain in the National Gallery.

The true story revolves around the framework of genuine privilege that our elite class has established within society and politics to benefit those on the Left. This begins in educational institutions.

It’s no accident that these individuals are young women; they’re instructed to view themselves as exceptional and their progressive ideologies as profoundly virtuous.

As a result, the standards that govern everyone else simply don’t extend to them.

PHOTO CREDIT: By Claude Monet – Public Domain, https://commons.wikimedia.org/w/index.php?curid=7170275